I began taking investigative, documentary-style photographs of dust and started monumentalizing fine cracks and imperfections found in my home. Though this collection started as a re-exploration of memory and lingering, I started to incorporate intentionally placed abstracted drawings and arrangements and taking photographs of different colors of light. The collection transformed into a series about paranoia, hallucinatory visions, and the undue scrutiny of one's surroundings. They illustrated both documented truth and a created truth. In these works, I sought to make images that visually conceptualized the state of confusion, but not necessarily images which were meant to be confusing as a novelty.
